[{\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於建築家半田悠人接受採訪的摘要，內容提及他婚前混亂的生活以及與妻子 Dream Ami 結婚帶來的改變。
Source: https://futabasha-change.com/articles/-/1019
\”, \”post_title\”: \”建築家・半田悠人自爆婚前生活「像爛泥巴一樣」，直到遇見妻子 Dream Ami…\”, \”post_excerpt\”: \”建築家・半田悠人自爆婚前生活「像爛泥巴一樣」，直到遇見妻子 Dream Ami…\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”handayutolifestyle\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/1019\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於野村義男接受採訪的摘要，內容講述了他長期為濱崎步擔任伴奏樂隊，但兩人保持距離的秘辛。
Source: https://futabasha-change.com/articles/-/1134
\”, \”post_title\”: \”野村義男透露，為濱崎步擔任伴奏樂隊近 20 年，卻連她的「電話號碼都不知道」…\”, \”post_excerpt\”: \”野村義男透露，為濱崎步擔任伴奏樂隊近 20 年，卻連她的「電話號碼都不知道」…\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”nomurayoshiophone\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/1134\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於榮獲內閣總理大臣獎的盆栽藝術家鈴木伸二接受採訪的摘要，內容講述他如何被盆栽吸引並走上這條道路。
Source: https://futabasha-change.com/articles/-/1571
\”, \”post_title\”: \”榮獲內閣總理大臣獎的鈴木伸二，因為太熱愛盆栽而踏上盆栽藝術家之路：「在照顧它的過程中…」\”, \”post_excerpt\”: \”榮獲內閣總理大臣獎的鈴木伸二，因為太熱愛盆栽而踏上盆栽藝術家之路：「在照顧它的過程中…」\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”suzukishinzibonsai\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/1571\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於盆栽藝術家鈴木伸二接受採訪的摘要，內容提及他與摩納哥親王雷尼爾三世和三星集團的交流趣事。
Source: https://futabasha-change.com/articles/-/1572
\”, \”post_title\”: \”盆栽藝術家鈴木伸二：「後來才知道他是雷尼爾三世（笑）」，他與三星集團的緣分…\”, \”post_excerpt\”: \”盆栽藝術家鈴木伸二：「後來才知道他是雷尼爾三世（笑）」，他與三星集團的緣分…\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”suzukishinzirainie\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/1572\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於盆栽藝術家鈴木伸二接受採訪的摘要，內容講述他決定將一生奉獻給盆栽的轉捩點。
Source: https://futabasha-change.com/articles/-/1573
\”, \”post_title\”: \”榮獲內閣總理大臣獎的鈴木伸二：「下定決心要為盆栽鞠躬盡瘁」，談論人生的轉捩點…\”, \”post_excerpt\”: \”榮獲內閣總理大臣獎的鈴木伸二：「下定決心要為盆栽鞠躬盡瘁」，談論人生的轉捩點…\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”suzukishinzibonsa\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/1573\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於西村知美和酒井法子接受採訪的摘要，內容提及她們作為同期偶像的出道故事和趣事。
Source: https://futabasha-change.com/articles/-/2272
\”, \”post_title\”: \”同期偶像西村知美和酒井法子揭露出道秘辛：「即興表演時說了『笨蛋』…」\”, \”post_excerpt\”: \”同期偶像西村知美和酒井法子揭露出道秘辛：「即興表演時說了『笨蛋』…」\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”nishimurasakai\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/2272\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於いとうまい子（伊藤麻衣子）接受採訪的摘要，內容是她改名的原因以及拒絕拍攝寫真集裸照的經歷。
Source: https://futabasha-change.com/articles/-/2277
\”, \”post_title\”: \”伊藤麻衣子為何改名為「いとうまい子」…因為拒絕了寫真集的裸照拍攝…\”, \”post_excerpt\”: \”伊藤麻衣子為何改名為「いとうまい子」…因為拒絕了寫真集的裸照拍攝…\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”itomaikorename\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/2277\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於岩田剛典接受採訪的摘要，內容講述他在慶應大學四年級時，面對已確定的工作內定，卻因 EXILE 而改變人生的故事。
Source: https://futabasha-change.com/articles/-/2297
\”, \”post_title\”: \”「內定已經決定了，真傷腦筋」改變慶應大學四年級生岩田剛典人生的 EXILE…\”, \”post_excerpt\”: \”「內定已經決定了，真傷腦筋」改變慶應大學四年級生岩田剛典人生的 EXILE…\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”iwatatakanoriexile\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/2297\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於八木莉可子接受採訪的摘要，內容是關於她在草彅剛主演的電視劇中的表現，以及她兒時的夢想和憧憬。
Source: https://futabasha-change.com/articles/-/2326
\”, \”post_title\”: \”在草彅剛主演的日劇《終幕的迴旋曲》中受到矚目的八木莉可子，談論她兒時憧憬…\”, \”post_excerpt\”: \”在草彅剛主演的日劇《終幕的迴旋曲》中受到矚目的八木莉可子，談論她兒時憧憬…\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”yagirikoactordream\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/2326\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於鈴木京香接受採訪的摘要，內容講述她在仙台當模特兒時的經歷，以及森田導演如何成為她演藝生涯中的重大轉機。
Source: https://futabasha-change.com/articles/-/2341
\”, \”post_title\”: \”鈴木京香回憶仙台模特兒時代的重大轉捩點：「一切都多虧了森田導演」—— 電影《愛與平成之色男》…\”, \”post_excerpt\”: \”鈴木京香回憶仙台模特兒時代的重大轉捩點：「一切都多虧了森田導演」—— 電影《愛與平成之色男》…\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”suzukyokamoritadir\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/2341\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於鈴木京香接受採訪的摘要，內容是她與木村拓哉和藤井隆之間的合作及交流。
Source: https://futabasha-change.com/articles/-/2342
\”, \”post_title\”: \”鈴木京香透露為木村拓哉寫歌和藤井隆的互動：「那是在正式演出時說的」…\”, \”post_excerpt\”: \”鈴木京香透露為木村拓哉寫歌和藤井隆的互動：「那是在正式演出時說的」…\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”suzukyokutakuya\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/2342\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於小錦八十吉接受採訪的摘要，內容是他離開夏威夷來到日本挑戰相撲的決心與故事。
Source: https://futabasha-change.com/articles/-/2348
\”, \”post_title\”: \”小錦八十吉：「總之我會努力五年」，把反對的母親留在夏威夷，獨自一人…\”, \”post_excerpt\”: \”小錦八十吉：「總之我會努力五年」，把反對的母親留在夏威夷，獨自一人…\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”konishikihawaii\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/2348\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於小錦接受採訪的摘要，內容是他回憶 1989 年在九州大賽首次奪冠時感動落淚的瞬間。
Source: https://futabasha-change.com/articles/-/2352
\”, \”post_title\”: \”小錦：「眼淚自然地流了下來……」回憶 89 年九州大賽實現夙願首次奪冠的那一刻…\”, \”post_excerpt\”: \”小錦：「眼淚自然地流了下來……」回憶 89 年九州大賽實現夙願首次奪冠的那一刻…\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”konishikicrywin89\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/2352\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於小錦接受採訪的摘要，內容是他回顧 1997 年九州大賽時，身體不適仍堅持比賽的經歷。
Source: https://futabasha-change.com/articles/-/2353
\”, \”post_title\”: \”小錦回顧 97 年九州場所：「在搖搖晃晃的狀態下，站在正式比賽的土俵上相撲…」\”, \”post_excerpt\”: \”小錦回顧 97 年九州場所：「在搖搖晃晃的狀態下，站在正式比賽的土俵上相撲…」\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”konishiki97kyushu\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/2353\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於小錦接受採訪的摘要，內容講述了他的健康問題以及妻子決定捐贈腎臟給他的故事。
Source: https://futabasha-change.com/articles/-/2354
\”, \”post_title\”: \”小錦：「我的太太（小錦千繪）決定捐腎給我…」\”, \”post_excerpt\”: \”小錦：「我的太太（小錦千繪）決定捐腎給我…」\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”konishikikidneywife\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/2354\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於若村麻由美接受採訪的摘要，內容講述了她加入「無名塾」對她人生的重大影響，以及她從仲代達矢和宮崎恭子夫婦身上學到的東西。
Source: https://futabasha-change.com/articles/-/2358
\”, \”post_title\”: \”若村麻由美最大的「轉變」是「與無名塾的相遇」：從仲代達矢和宮崎恭子夫婦那裡…\”, \”post_excerpt\”: \”若村麻由美最大的「轉變」是「與無名塾的相遇」：從仲代達矢和宮崎恭子夫婦那裡…\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”wakamuramayumiunm\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/2358\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於若村麻由美接受採訪的摘要，內容是關於她主演日劇《這美好的世界》（この素晴らしき世界）的幕後心得與挑戰。
Source: https://futabasha-change.com/articles/-/2360
\”, \”post_title\”: \”若村麻由美主演日劇《這美好的世界》：「遠遠超出了我的能力範圍」…\”, \”post_excerpt\”: \”若村麻由美主演日劇《這美好的世界》：「遠遠超出了我的能力範圍」…\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”wakamuramayumica\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/2360\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於多部未華子接受採訪的摘要，內容講述她如何看待演員工作，以及她在大學期間的經歷。
Source: https://futabasha-change.com/articles/-/2362
\”, \”post_title\”: \”多部未華子：「感覺就像是『在演員這份工作上就業了』」，她在大學二年級時…\”, \”post_excerpt\”: \”多部未華子：「感覺就像是『在演員這份工作上就業了』」，她在大學二年級時…\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”tabemikakoactjob\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/2362\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於多部未華子接受採訪的摘要，內容講述了她在結婚生子後，生活和心態上的轉變。
Source: https://futabasha-change.com/articles/-/2363
\”, \”post_title\”: \”多部未華子在結婚生子後產生的變化：「變得會做當天該做的事情…」\”, \”post_excerpt\”: \”多部未華子在結婚生子後產生的變化：「變得會做當天該做的事情…」\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”tabemikakomomchange\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/2363\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於冰川清志接受採訪的摘要，內容提及他在 40 歲時挑戰《限界突破》這首歌曲，對他人生帶來的巨大變化。
Source: https://futabasha-change.com/articles/-/2369
\”, \”post_title\”: \”冰川清志：「我想若沒有那時的我，就沒有現在的我」，他人生中的轉捩點是 40 歲的《限界突破》…\”, \”post_excerpt\”: \”冰川清志：「我想若沒有那時的我，就沒有現在的我」，他人生中的轉捩點是 40 歲的《限界突破》…\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”hikawakiyoshi40gen\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/2369\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”冰川清志於 2000 年以《箱根八里の半次郎》出道後，立即成為「演歌界的王子」並大受歡迎，此後發表了多首熱門歌曲。經過大約一年八個月的休息期，冰川清志，以及 KIINA.，正踏入新的階段…
Source: https://futabasha-change.com/articles/-/2370
\”, \”post_title\”: \”冰川清志透露以「KIINA.身份」在洛杉磯度過的兩個月：「眼淚不斷湧出…」，讓他能向前看的全球鋼琴家的一句話：「無論外表如何，內心都不會改變」\”, \”post_excerpt\”: \”冰川清志於 2000 年以《箱根八里の半次郎》出道後，立即成為「演歌界的王子」並大受歡迎，此後發表了多首熱門歌曲。經過大約一年八個月的休息期，冰川清志，以及 KIINA.，正踏入新的階段…\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”hikawakiyoshila\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”https://fc.ismcdn.jp/mwimgs/b/5/412h/img_b54289b0f4edc7d165e8a7f88e8847bb350315.jpg\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/2370\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}, {\”post_author\”: 1, \”post_date\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_date_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content\”: \”這是關於吉田鋼太郎接受採訪的摘要，內容是關於他對役所廣司和蘆田愛菜表演的評價。
Source: https://futabasha-change.com/articles/-/2378
\”, \”post_title\”: \”吉田鋼太郎對役所廣司的吶喊感到「深受感動」，從蘆田愛菜身上「感受到」野性：「他是誰…」\”, \”post_excerpt\”: \”吉田鋼太郎對役所廣司的吶喊感到「深受感動」，從蘆田愛菜身上「感受到」野性：「他是誰…」\”, \”post_status\”: \”publish\”, \”comment_status\”: \”open\”, \”ping_status\”: \”open\”, \”post_password\”: \”\”, \”post_name\”: \”yoshidakotaroactor\”, \”to_ping\”: \”\”, \”pinged\”: \”\”, \”post_modified\”: \”2025-12-04T07:03:52.615+08:00\”, \”post_modified_gmt\”: \”2025-12-03T23:03:52.615+00:00\”, \”post_content_filtered\”: \”\”, \”post_parent\”: 0, \”guid\”: \”https://futabasha-change.com/articles/-/2378\”, \”menu_order\”: 0, \”post_type\”: \”post\”, \”post_mime_type\”: \”\”, \”comment_count\”: 0}]